Sunday, November 18, 2012

GUARDIANS AND OTHER ANGELS



Reaching across the years and striking a chord with people of today, GUARDIANS AND OTHER ANGELS is inspired by a dramatic true story of two Southern Ohio families during the Great Depression and World War II who also struggled for their fair share of the American Dream of hope, freedom and opportunity.  Through dozens of authentic private letters written by the characters and included in the book, readers are given an insider’s view of the hearts and minds and day to day experiences of a singular group of people called upon to be counted among the ranks of the greatest generation in history.  It is a preserved anthology remarkable in its powerful journalistic quality of chronicling the incomparable history of those times, as well.  Although spanning the years of 1936 to 1941, the letters could have been written by modern-day families and friends of troops and diplomatic personnel who, like their forebears, are risking their lives in hotspots around the world to protect their way of life and their country.   



GUARDIANS AND OTHER ANGELS

An Excerpt

The one-room, Cedar Fork schoolhouse across the holler from the little log cabin on the near side of Peach Mountain was a tolerable two-mile walk in nice weather.  It was an enjoyable walk actually, if one had time to swing from a grapevine on top of a high cliff and drop into Cedar Fork Creek for a lazy dip, or stop by the Workman’s place for a quick smoke of their corn silk tobacco.  But in snowdrifts as tall as thirteen-year-old, Lee Greene, in threadbare clothes, thin hand-me-down coat, and barely covered feet in holey socks flopping in an old pair of secondhand shoes that were several sizes too big for him, the walk that frigid morning was worse than pure misery.
The chronically aching stomach of Lee was hollow and rumbling.  His meager breakfast of cornmeal mush and sugar water was quickly wearing thin, but he had more important things than his stomach to worry about that morning.  He was stewing about the paucity of milk he had drawn from their cow tethered in the yard just beyond the lean-to kitchen at the back of the tiny log cabin.  The two-story structure, built by A. E., Lee, and Bill only five months before, consisted of a common, or front room on the main level, a primitive lean-to kitchen at the back, and a bedroom where Eva Love and A. E. slept, housing the only closet in the place.  A rough-hewn timber ladder gained access to the upper deck, where, in an open-to-the-front loft, all of the many children slept on crude cots, or thin pads on the floor.  A large ceiling-to-floor fireplace of indigenous stones in the common room on the first floor was the only source of heat in the place.  Felled tree trunks supporting its roof, a porch spanned the width of the front of the log cabin.  
The soil on Cedar Fork, thin, hard, and dry, a crusty layer of sediment topping bedrock of limestone, dolomite and shale, made for poor farming and gardening, posing a formidable challenge for the growing of adequate food.  Squirrels, rabbits, opossums and birds, hunted and brought in by Lee, the insufficient supply of milk from the cow, and scant eggs supplied by their paltry flock of scrawny chickens in the yard, were the only sources of protein for the family.  In season, a large vegetable garden and a stand of corn were coddled into fruition in the poor soil, but only if they were favored with enough rain.    
His nose and eyes crusty from yet another head cold, gloveless hands thrust into the pockets of his thin coat, and his feet turning to blocks of ice, Lee trudged on to school, his white-blond head under his hat hunkered into his shoulders.  Despite the fact that he might not make it through the perpetual hardships of his life, much less that cold, windy, and snowbound morning, his soul was full of dreams, his mind of intention, his body of vigor and endurance, and on the strength of pure power of will alone, and maybe some help from the man upstairs, Lee was determined that if he got out of his childhood alive, nothing would encumber him again.
The schoolhouse was dark and frigid, Lee, by design, having been the first to arrive.  The door was unlocked as it always was, and Lee, halting for a few minutes to give his blood a chance to circulate again in his frozen limbs and digits, sat down on one of the benches.  He would have wept if he had allowed himself to seriously consider his unfortunate circumstances—but not Lee!  No, not Lee!  He had a chance to earn fifty cents that week, and every week for weeks to come, fifty cents for building a fire in the “Warm Morning” coal-burning, heating-stove each morning before school, and that was exactly what the Sam Hill he was going to do…



 

Friday, November 16, 2012

The Big “R” Word

 The ugly “R” word—rejection! After slaving over your writing, you will reach, “The End.” It’s difficult to let it go, to put your book out there and face possible rejection. It’s hard to let your baby go forth into the big world, but a manuscript neatly packed in a box under your bed is not going to sell.
Part of every writer’s life is the “R” word. Watching those rejection form letters pile up can be discouraging. Before giving up, consider these points of reference. Did you hop on your two-wheeler bike for the first time and take off on a smooth ride? Did you tie your shoes properly the first time? Did you win your first spelling bee? Probably not.
It’s unrealistic to think your manuscript will be accepted ‘as is’ by the first agent or publisher who reads it. More likely, your final draft will need corrections, editing, rewrites, and multiple submissions.
The reasons for rejection of your manuscript are numerous, but tend to fall into certain patterns.
There may be legitimate literacy concerns. The story may be poorly written, grammatically incorrect, have spelling errors or have point-of-view confusion. The plot may not be fully developed or lack tension. The story may be too short or too long to hold the readers’ attention. The characters may be stereotyped, one dimensional, or without depth of emotion.
These are the easiest variables for you to control. Your willingness to accept feedback, edit, rewrite, correct, and update your manuscript will generally result in tighter and improved writing. The writer can control for literacy problems by improving his or her writing skills. Your writing will improve as you read more, attend writers’ conferences, go to book fairs,join a critic group, participate in a writers’ group, and of course, write, write, write.
The political context of your book can also lead to rejection. There may be a glut of science fiction, horror or love stories on the market at the time of your submission. The publisher may have another similar book about to be published and doesn’t want to create undue competition. A publishing house can change their focus from Westerns to romance. You have no control over these issues; however, diligent research will help you find the right fit for your book. If you believe in your story and feel it is worthy of publication, remember, persistence is the key to success.
Most frustrating for any author is the rejection of a well-written story, with intriguing characters, and an exciting plot. You have no doubt read many books and wondered how they ever found a publisher. Your book is so much better!
Keep in mind famous authors faced rejection many times before they found publication. For example, The Good Earth by Pearl S. Buck had 12 rejections before it was accepted for publication. James Joyce had over 20 rejections for Dubliners. J.K. Rowling, the wealthiest and most successful author of all time, had the Harry Potter story rejected time after time.
Remember also, even after literary success, six figure retainers, and fame that spread from book to screen, there are people who don’t like to read works by Stephen King, John Grisham, Nora Roberts, Danielle Steel, John Steinbeck or Ernest Hemmingway. They have all suffered “reader rejection” at some point in their careers.
When dealing with rejection, believe in yourself, be realistic, and keep things in perspective.
~ Valerie Allen ~
VAllenWriter@cs.com                                          ValerieAllenWriter.com
Amazon.com/Author/ValerieAllen
Member of NLAPW, Cape Canaveral Branch
 Beyond the Inkblots: Confusion to Harmony
Write Publish Sell!
Summer School for Smarties
Bad Hair, Good Hat, New Friends
Sins of the Father
Suffer the Little Children

Excerpted from: Write, Publish, Sell! Quick, Easy, Inexpensive Ideas for the Marketing Challenged by Valerie Allen.

Wednesday, November 14, 2012

Save the Children

Much is being bandied about nowadays during the run up to the presidential election, along with its accompanying state and local elections, regarding the hotly contested issue of reproductive rights, family values, rights to life, and the right to choose.  The diligent campaign watcher can barely catch a breath between traded political zingers and accusations, and the confessions of outrage and piety regarding this seemingly all consuming issue.  But somewhere in the heat of rhetoric, I feel a very important element is missing - the children themselves who must live the realities of the lifetimes we have brought them to for better or worse.  For many millions of them, it has not been easy. . .for many, even cruel.
     It is in their honor that I have posted the poem Save the Children along with its audio reading and photographs on my web site  www.eonwriter.com
I wish to thank  www.flickr.com    for its inexhaustible cache of wonderful photos from around the world and for making those photos available for all of us to share.  If you enjoy the site, please post it or pass it on to others since there are no ads,links, blogs or comments on the site itself.
Sandy Hartman



                               Save the Children


        Within every child lies the heart of the universe
        And the wish to be so
        Each child filled with bright eyed curiosity
        Each child filled with need
        The need to care and be cared for
        The need to be proud before their kind

        What has happened to us, their protectors
        What has happened to our hearts
       That we have created so many children
       That we cannot care for them
        So many that we must let them grow up hungry
        Hungry in mind, hungry in body
        Hungry in spirit

       By what right do we claim Heaven
       When so many innocent hearts are betrayed
       Lost and left to struggle
       Alone
      
       c 9/08/09
Sandy Hartman
www.Eonwriter.com
Member of NLAPW , Jacksonville branch
                                
                                          
                                            


Saturday, November 10, 2012

Artist with Newborn

 

Artist with Newborn
at her breast,  robe slips silk,
her shoulders, left arm cramps above
joint, as she nurses her son, 2 a.m. Floor
lamp  illuminates her,

she perches on a stool.
Face -to -faces her easel.
Right arm brushes, strokes, feathers, teases
paint, baby clutches. Nurture flows
through her. Color flows from her. Sleeve slips,
slides up muscled forearm, white wrist where
her watch band blocks sun's rays. Days she pushes
his stroller, he dozes, she dreams
of dancing.

Other breast peeks from robe
matches rhythm,  painting process,
she evokes a face from mystery,
until rainbow eyes gaze into hers.
Baby hiccups, his bare heel spasms,
smears paint, paper. She must relinquish
a brush to wipe his foot, his mark remains

on her painting (her heart) their composition.
She lifts him close with crooked elbow,  kisses
his tufted head.  She rocks  on her stool.
He sleeps against her shoulder. Drools
down her skin. She does not care.
She picks up the brush.
There is so
little
time.


Rachael Ikins
Publications, books for sale at http://rachaelikins.com/publications.htm
Ask The Girl Arts (@pet services) on FaceBook
Twitter: @justaskrache
Member of NLAPW 

"Dwell in possibility and you will find magic"

Thursday, November 8, 2012

Hidden Heroes of WW II

We’re T. C. Archer, the writing duo of Evan Trevane and Shawn M. Casey. We met at an online advanced writer’s workshop about ten years ago. Our collaboration began on a lark with the post WWII film noir story The Pickle My Little Friend, and has evolved into nearly a dozen works, which include the series we’re going to talk about today The Phenom League, and the Daphne Du Maurier winner and romantic thriller, For His Eyes Only.

Chain Reaction is the first in our Phenom League series and is set during WWII. For this series, we took a cue from the great Connie Willis, who writes science fiction/alternate history that strictly adheres to our world history. So how does a book get classified as alternate history when the history doesn’t diverge from real world history? In our case, we call the alternate history elements What you won’t find in the history books. We portray world events as being credited to someone other than the real heroes behind the scenes, which means these heroes never made it into the history books and were expunged from existence. There’s a good reason for this anonymity…some of these heroes weren’t quite human.
We were kicking around the idea of some sort of superhero story, which led us to the mid-twentieth century where heroes represented justice, truth, freedom and, of course, the American way. This piqued our interest in WWII, an era rich with intrigue, love, science, drama and, yes, love. During the war, questions were raised on everything from Hitler’s obsession with the occult to the Ghost Army that created tactical deceptions to fool the Germans.  
Many things that helped win the war are so fantastical that they border on fiction. Consider an average man who decides to help the war effort and starts to spy for Great Britain—without actually joining British Intelligence! This man not only became one of the greatest spies of all times, but was single-handedly responsible for the ruse that fooled the Germans and allowed the Allies to land in Normandy. In Chain Reaction you’ll find some of these fantastical elements sprinkled throughout the book, some in the history books…some not.
Currently, we’re working on the next two books in the series. The first is entitled Desert Fox and takes place in El Alamein when Rommel marched across Egypt. Our hero is a five thousand year old mummy who has been guarding his pharaoh. The second novel takes place in Chauny, France, with the underground Chauny Line where Allied soldiers were hidden from the Germans. Our hero is a WWI pilot who was shot down and killed, but he never passed over.  He must discover the secret weapon that the Germans are reported as having. You might even see a space ship in this book—after all, the Germans were experimenting with anti-gravitational flying machines. You just can’t make this stuff up!
Chain Reaction
For love of county and a woman, Jordan Pierce must sacrifice his humanity.
Former Chicago Detective Jordan Pierce put his life on hold in order to protect America's secret weapon against the Nazis; The Manhattan Project. But he can't protect himself against the disease eating away at his humanity. Jordan discovers how much of his soul this infection has devoured when he falls in love with the woman who could destroy America. Choosing her, means choosing the monster he's becoming, making him the most powerful man he's ever known.
If you would like to get to know us and our books a little better stop by and friend us on Facebook or swing by our blog. We love hearing from readers. 


Evan and Shawn
https://www.facebook.com/TCArcherRomanceAuthors
Blog:


Monday, November 5, 2012

Let It Go



I have a bumper sticker on my car that says “Let it Go.”
It’s a good thought…even better advice…just let it go. I have the bumper sticker to remind me to do it.
I’m not good at it. It’s hard for me to let it go. More often than not, I’m disinclined to just let it go. I’ve always got something to say about, well, everything.
Got a problem? Tell me about it. I’ve got some advice for you.
Need some help? I’ll help you. But I’m going to tell you what I think about it. And yeah, I’ll tell you what I think about it before I’ve fully considered all of it.
Have a cause? I’ll support it. I’ll send e-mails and post on Facebook.
Want a little sympathy? I can start a prayer chain. God bless you…I’m praying for you right now.
Know someone who needs a little tough love? Then talk to me. I’ll tell you what to do.
I’m good at all that. I’m good at talking the talk.
I just have problems walking the walk. I’d rather skip down the path of self-righteousness, scattering little blurbs of wisdom like rose petals on my way.
Can’t quite get it all together? Well, why not? I told you what to do.
I’ve got all the answers. Just ask me.
It’s easy for me to get behind a cause and spew sympathetic blather for all who are suffering, all the down-trodden, all the needy, all the misunderstood people in the world.
It’s easy…unless those misunderstood and suffering people are actually close to me.
Then it’s really hard for me to just let it go. When I see the people I love making mistakes or hurting, I’ll listen to them for a while. Then I proffer some unwanted, unneeded advice and try to go on my merry way.
That really doesn’t work. Not for the people who are hurting. It’s actually no help at all.
I’ve been practicing tough love lately and it’s making the people I truly love and care about even sadder and angrier than they were already.
What should I do? I want to help, I honestly do.
But I’m thinking that instead of talking so much…maybe I should just listen, offer my sympathy, and then let it go. No one needs my advice or my self-righteous words.
They just need me to listen. To love them. To let it go. They’ll figure it out.
So, here’s some advice for myself. I would be wise to follow it.
Breathe deep.
Love much.
Shut your damn mouth.
And Let It Go!
 
Peggy Browning
FBhttps://www.facebook.com/peggy.browning?ref=ts&fref=ts