Start the Ball Rolling

by Anu Lal                            

Image Courtesy: Google

Today, I have a special article for you. This article is special because it touches one of my favorite subjects—writing. I am trying here to suggest three strategies that can help writers find their rhythm in their craft, after a severe writers’ block. The mantra of course, is starting the ball rolling. And keep it rolling too. I hope you would enjoy this “post-writers’ block strategies.”  

To hope for success, one must first start the journey. Starting trouble is fear in its vigorous imposition. Often writers succumb themselves to the fear to start a new story. This often happens immediately after writing a story or a book, as a post-publishing syndrome, mostly. The next work would always be decisive. It would chalk out the identity of the writer. These thoughts crowd the writer’s mind and more often than not, every writer feels insecure to begin something new, after one successful work.

This is not exactly the fear of losing or the lack of competence. On the other hand, starting woes are essentially associated with the insecurity in looking failure in the eye. This is in effect, a ‘what if?’. It would tear off their shields of confidence. What if I could not produce the quality, they suppose me to be a master of? This question breeds insecurity, but it should not be misunderstood with the occasional bout of inner stress known by the notorious name, writer’s block.

Efficient planning and effective strategies can help writers start the ball rolling again. Three key points are given below;

Editing any previously written manuscript

Go to you file folders or notebooks and find any manuscript you worked with some time before. The next is the process of preparation. Pick up a publisher’s address or a magazine’s website and prepare your manuscript according to their guidelines for publishing. Re-read, edit and proofread your manuscript. By the end of this process, you will be able to clear your thoughts on unnecessary concerns. This method works through a process called ‘channeling’. As a writer, you are channeling all your attention and energies on the craft, while editing and proofing your unpublished manuscript. Through channeling, individual would be able to fix one’s attention and eliminate other concerns.   

Compulsive writing on random ideas

This is a traditional method and like all traditional methods, based on ritualistic practices. Through compulsive writing on random ideas, a writer is partaking in an initiation process. The ritual and the practitioner are equally important in this method. The writer, starting on a random word should keep on writing whatever comes to his mind, with or without a prior planning. This method works better when the writer attempts to follow the stream of randomly generated words.   

Extensive reading

Although, no ‘writing’ is present in the sub-heading, this is a very useful method with an undeniable impact. This always worked for me and for many of my friends too. Extensive reading, here, suggests not just a long period of research, or even reading for research. It suggests a focused attempt to spend as much time as possible with the book you read, currently. The principle that is under work in this method can be called invocation. The writer invokes the elements of craft that lay in dormant stage in one, through a voluntary attempt to peruse without stop for a long time. In my case, it goes on to four or five hours.   
   
The one idea I would like you focus, the one idea that can help you beyond anything else, is hope. However, hope is inevitably related to action. Without starting a project, we have no right to hope for its success. 
 

Bio: Anu Lal is the first Indian author to write a trilogy of short story collections in English. 'Hope, Vengeance and History' trilogy is an interconnected neuron of short stories. The first book in this trilogy is Wall of Colours and Other Stories. He is also a columnist in an American journal and a translator.

blog: http://anu-lal.blogspot.in/; 
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Where will Mars exploration lead us?

 

There’s talk in the media about missions to Mars, there has been ever since the moon landings 40 years ago. How would we fund such a trip, would we be able to overcome the technological and psychological obstacles? These are all issues that now have potential solutions. Mars One is a project that hopes to use reality TV funding to raise the cash.

So the audition (sorry selection) process will be televised (as will the revolution but that's a different story). Their web site states “The online application will consist of general information about the applicant, a motivational letter, a resume and a one minute video in which the applicant answers some given questions and explains why he or she should be among the first humans who set foot on Mars.”  I might even apply myself, surely a dissipated, middle aged writer with poor eyesight and a dodgy beard would be just what they need. What’s the worst that can happen, I get rejected? Hey, I’m a struggling writer, I’m used to rejection.

audience

The process continues with the obligatory medical checks but round three is the most telling. “This round is the national selection round, which could be broadcast on TV and internet in countries around the world. In each country, 20-40 applicants will participate in challenges that demonstrate their suitability to become one of the first humans on Mars. The audience will select one winner per country and Mars One experts will select additional participants to continue to round four.” So it really is possible to see the selection  process turning into an audition and once the public becomes involved we are talking about the full Big Brother experience. Will the first colonists of other worlds be the most beautiful and handsome? Will the first children born on other planets have square jaws, perfect clear skin and the blondest of hair? Presumably the broadcast will continue right to the point where they land on Mars, build their settlement and begin their existence on the red lifeless waste that will be their new home for the rest of their lives.

We might imagine how their daily lives, of survival decisions and scientific experimentation, are influenced by ratings. Will there be a behind the scenes struggle between the directors of the scientific programme and the media division, with the associated back stabbing and scandal? This would make a great plot for a film or TV series. In fact I think the film might already have been made and I think there was a series with a similar background. The series was cancelled, I seem to remember, because the real world accountants pulled the plug when ratings didn't take off. So what happens when the audience figures for the real Mars landings drop off? Actually, when you consider it, it would be self-sustaining as lack of audience figures would put their funding at risk, which would put their lives at risk, and their audience would increase with the likelihood of disaster. They would be on a constant knife edge though. (Comparisons to Columbus might break down when you consider he wasn’t reliant on a constant stream of funding from his supporters in Europe to ensure he had survival resources on board ship or in the new world.)

televised

But this is where the big issue arises. When the inevitable disaster happens, when they have a catastrophic failure, or worse, a slow demise due to some equipment failure that can't be resolved in the eight months it takes to resupply, how much will be televised? Doubtless the media will debate the fact that this is what they might have expected and as such the colonisers/stars would want it to be broadcast, it's in their contract, after all the royalties will go to their families after their death.

The first Dutch Big Brother programme in 1999 was a game changer and this will be too (it’s interesting to note that the first Big Brother series was in Holland where the Mars One project has its base). The spread of Big Brother and other reality TV concepts in the first years after the millennium changed what we considered to be acceptable in the media in general and so will Mars One. Once we see people in daily peril for the sake of audience figures disguised as exploration, how long will it be before live reality TV is used as a funding source for other risky activities? Will it then become acceptable to film the death of participants in extreme situations? Hell let’s take people and film them while they risk their lives for big cash prizes, they sign a release form so there’s no risk to the producers at least. Come to think of it, this would make a good plot for a film.

Jack Barrow 
Jack is embarking on a 39 day long trip across the UK today. He will send in posts from the road.