BIN TO BESTSELLERS: THE IMPORTANCE OF OTHER PEOPLE IN YOUR WRITING LIFE

Making money writing is the hardest job on planet earth, however, there are people who do it effectively and make a living out of it. Being not one of them is not your problem, but aspiring not to be one is.

Is finding a publisher the best option for you as a writer? Richard Bach once mentioned in an interview; it’s not a publisher a writer searches for, but an editor. This relationship is one that should last for a lifetime. An editor understands where the music of words has to be slowed down or where it must run faster. But to get one worthy enough, you must do a lifetime’s waiting.

As a beginner in freelancing and in professional writing, how do you get an editor whose service can be worthwhile? Beginners are always stuck with the same problem; lack of funds. This in turn hampers your look out for an editor. Good editors are sale items with relatively high price money. There are many writers’ communities that offer editing services. Even some literary agencies offer you with editing services. However, if you are a first timer and one without enough weight in your bank account, hiring an editor for your book or manuscript will not be, normally, easy.

The best way to tackle this situation is to find reliable and easy options for editors. One need not go much farther for this end. Just look around and you will find yourself to be blessed with many minds, gifted with the one serum of eternal life—love—around you, ready to help reading your manuscript.

Showing your manuscript to your friends and family or girl friend would be a better option. In such a case, the money spent would be much close to null on editing services. The best editors are those who actually care for our work. You must be open to their criticisms; however, in harsh criticisms you can always rely on their lack of professional experience as the hideout from humiliation.

Stephen King, when he wrote his first novel, Carrie, did not think it would make up to the publishing standards and threw it into the bin. But his wife Tabitha King accidentally discovered the manuscript and read it. Thinking that it would be something worth of a quality, she put it back on the table and later helped King to rework on it. The novel went to become a best seller of its times and was made into a successful Hollywood movie.

This is one real life example from the life of America’s most celebrated and enthusiastic writer, Stephen King. This could be yours too. A relationship not just helps an individual to maintain one’s emotional health but the creative output as well. Now wait your sweet heart to tell you where to put the period.
ABOUT THE AUTHOR

Anu Lal is the author of Wall of Colors and Other Stories. His latest book is Clenched Hands, Bloody Nails.  You can catch up with him in Facebook too.  

PSYCHIC REALITIES: Writers and their Minds

Oh my God! I desperately wanted to finish that story. Look! I just abandoned it. I had been working on it for the past one month. It’d been six weeks since I hadn’t touched it. Would I be able to resume it? How could I do justice to the story, now, after such a long time of discontinuation? I did have some notes made from the times, while I worked on the stuff. I do not think those notes are of any help, anymore, though. 

It is clear to me how vague the classification of writers would be if I categorized them based on such feelings as above. A writer, at almost all stages of his or her growth feels this way. Most of those super-successful writers may not experience it the same way, because they have the ability to pursue writing without bothering much about another day-job, but apparently have other issues that affect them the same way.

If writing gives a person immense pleasure or joy, and the person is forced to work in a bakery in order to make a living, the resulting conflict could damage the mental equilibrium of that person. Those person(s) who have no aptitude for working in a bakery, when forced to compromise their psychological ecosystem with the sophistication of an altogether different system of things, creative writing suffers. This is when one feels; “Oh my God! I desperately wanted to finish that story. Look! I have abandoned it.”

The fear for being not able to do justice to one’s work of a lifetime deserves wise handling. If not, it will consume the writer, wholly. The totality of all fears has their common grounding in the unknown. In the case of the above-mentioned writer (let us call him Paul), the unknown part is the quality of his work. Paul does not know and fears this fact: how would it all turn out to be. How could I do justice to the story now, after such a long time of discontinuation?

In order to undo the fear of the unknown, the simplest method can be the Jungian concept of assimilation of psychic realities. Carl Gustav Jung (1875–1961) was a German psychoanalyst, whose groundbreaking theories on human mind, guided the world into a modern-renaissance. He argues about a specific course of action through which a human being can bring out the contents of his unconscious and experience it in the conscious level in order to alleviate the pressure from the unconscious side.

This same method is useful in undoing the fear for the unknown in Paul’s case. If Paul is uncertain of the results his work could bring him after a considerable gap in the process of writing, he should first, look at the results. There is only one way he can get the result—by completing the work. Paul just needs some gut feeling to cross the initial fear.  

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If one is stuck with the fear of how the work would turn out to be, the possibility of writing a book or a story is obliterated entirely. It is up to you to take that step courageously. Your work deserves to be born, simply because you have such strong feeling for it. Let your fears not obligate the stopping of your creative work.

If you liked this article, you might like my book too. Take a look.

Anu Lal is the author of Wall of Colors and Other Stories. His latest book is Clenched Hands, Bloody Nails. 

You can catch up with him in Facebook too.      

FREE THAT SEAGULL IN YOU

That Unforgettable Story: Bestselling Author Anu Lal at Capitol Mall, Kannur, Kerala

Jonathan Livingston Seagull is a small volume of fiction written by Richard Bach. Some of you have read it. Some of you haven’t. It’s a highly readable novella with a seagull named Jonathan Livingston as its titular hero. The totality of the essence that shines through this story is not just about a seagull and the quest for success. More importantly, one must look at this book as a motif that corresponds to the inner voice of an individual. When I read this book, as a young student of English literature, I immediately associated it with a writer’s journey. I contemplated on the many nuances Mr. Bach, who I consider one of my gurus, must have employed to reveal his own life through the pages of Jonathan Livingston Seagull. The reason I considered the possibility of an autobiographical element in this book is that in every writer, there is a seagull.

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Those very few successful authors are able to free the seagull engraved in their consciousness by the same creative power that generated their life force. Is it possible to live without consciousness? Perhaps, but think about the quality of life one must be missing under an unconscious state of existence. Every writer goes through stages of evolution. We evolve into being who we are. This evolution need not be biological. It could be spiritual or intellectual. Just like an ordinary person having lost his consciousness, a writer struggles if one does not free the seagull within one.

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What do I mean by “the seagull within us?” The seagull within us is our inner voice. This same voice sometimes gives a character in one of our stories, a unique individuality, and the narrative a significant identity. Voice is literature has a different meaning. It is not literally an audible sound. But in a novel or a story, ‘voice’ is the narrative style and peculiar alignment of thoughts and words. In order to achieve a unique and poignant voice on paper, one must achieve the same in life outside the paper.

There may be a multitude of concerns that haunt you each day—electricity bill, water bill, cable and internet bill, food, family, house maintenance or mortgage, etc. Often, these many concerns put a lock in the cage in which our inner seagull resides. This inner seagull came with us while we were born, within the same package that is we.

Once we realize our karma that is the cause of our restlessness, the path that we need to travel, we must take the courage to let the seagull free. Let it fly, away and above, everything we have known and seen; let it find new horizons; let it guide us. Let your inner voice take up thoughts that were, until then, impossible for you to handle, or improbable. Let your imagination accompany that inner voice. This is where fiery books were written.

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In the last decade of the previous century, a woman had a dream-like idea. It was highly improbable and senseless. Had she been living in Kerala, her own self-respect might have prevented her from penning down this story. But she lived in Europe, and she took the courage to free her seagull that is in her. In a few years, her book became a phenomenon. You must have heard of her, everyone does. She goes by the name, J. K. Rowling.

About The Author:

Anu Lal is the author of Wall of Colours and Other Stories, Book-1 in the Hope, Vengeance, and History Trilogy. He resides in India. His upcoming book is Clenched Hands, Bloody Nails. His second book You Should Know How I Feel has been a bestseller in Amazon India.

Blog: http://anu-lal.blogspot.in/

Author Page: Here

Twitter: @Anulalindia

MEASURE OF WRITING: Inborn Talent?

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In this glorious chaos of what to listen to, and what not to, I would like to invite your attention to the fantastic idea called “good writing.”

I am aware that one of the areas, a person coming to WGT might be looking for, is insights from personal experiences of other authors. Due to that very purpose, I would like to share an experience of mine here, in this ‘internet coffee house’ of a blog, as author and editor Scott Bury remarks.

Good writing is an imperative every writer pets with in one’s consciousness. Consequently, there are several myths circling this idea.                

 

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Stephen King once remarked that creative writing could never be taught in schools. He was telling the truth about ‘good writing’ too. Perhaps the biggest impediment in being a creative writer (and a good one in that) is the only boon capable of propagating one in the direction of a successful writing career—Inborn talent. But what about you, a person blessed with the gift of weaving extraordinary tales out of ordinary events in life? Are you born with “Inborn talent”?

What might be the secret of being a good writer, of selling more stories than the number of tickets for the next Hollywood blockbuster; of being the most loved and respected man of letters? The surest way to success in this dimension is perseverance.

As a writer, one might come across many external obstacles; obstacles from our day-job, obstacle in the name of family, etc. These obstacles, sometimes with our knowing and sometimes unknowing, sucks out what could be described as the surest key to becoming a good writer. I would never suggest one must wait for the right moment to pen a story or to edit a previously written manuscript. The right time for a writer is NOW.

Remember, you are here because you love reading about writing and want to learn a few techniques on improvising your writing. You have listened to your call, by coming here. You have that inner radio inside of you that could tune into the cosmic energy that is the Source of all Creation.  

If you arrived here with a desire to learn, I must tell you that you have the necessary ingredients in your DNA to make it big as an author. You are in alignment with that dream that you have nurtured throughout your life, of sitting on a table, signing books at one end of an incredibly long line of people, simply because you are reading this article.

This is not a self-help forum. Still, I would advice a new author to take perseverance as your measure when the path in front of you is not visible, when you meet a dead-end. For example, think about Dr. Viktor E. Frankl’s experiences in the concentration camp of Auschwitz. Had he not been persevering, his future and the future of psychoanalysis itself would have been something else. In such a situation, perseverance means you trust your abilities to risk every other madness around you. It results from trusting oneself. Dr. Viktor E. Frankl shares his experiences in the book titled Mans’ Search for Meaning.  

 

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The craft of good writing also stems from trusting oneself. However, I would also suggest you should not limit your trust upon the blind faith that ‘whatever you do would be good’; or daydreams about long lines of people waiting for your autograph. Although, it sounds almost naïve, I must say that one must act in order to bring success into the world of reality. This, I consider, is a valid thought for any aspiring writer. Most aspiring writers never make it to the successful line of authors. The reason for that is simple: most aspiring writers only aspire. Their aspirations are not strong enough to manifest themselves into material reality.

The next best thing to do in order to bring in your ‘good writing’ is to trust your own intuitions and write steadily. By carrying the purpose, and following the discipline required to finish specific writing projects, you are sure to succeed. In writing-life, failure has only one meaning—stopping a work. This means, essentially that if you don’t stop, you never fail.  

About The Author:

Anu Lal is the author of Wall of Colours and Other Stories, Book-1 in the Hope, Vengeance, and History Trilogy. He resides in India. His second book You Should Know How I Feel has been a bestseller in Amazon India.

Blog: http://anu-lal.blogspot.in/

Author Page: Here

Twitter: @Anulalindia

Forgotten Memories

How many of us rely on “forgotten memories”? 

My question was prompted by Oliver Sacks’s article entitled “Speak, Memory” in the New York Review of Books.  In it he recounts his discovery, some years after publishing his memoir, that one of his most vivid childhood memories was false.  Not false, as in he made it up, but false as in it happened to someone else.  His memory was based an extensive and moving description of the event in a letter from his brother. He “remembered” the details of the event, but he “forgot” the source of the information.

His article went on to explore the difference between plagiarism and cryptomnesia.  Plagiarism implies intentionality, a conscious and willing misappropriation of someone else’s ideas or images.  By contrast, cryptomnesia (“hidden memory”) describes ideas and images that emerge in consciousness without memory of their source.  

Cryptomnesia, according to Sacks, can be a vital factor in creativity, insofar as it allows ideas and thoughts to be “reassembled, retranscribed, recategorized, given new and fresh implications.”  But how often is that “new idea” simply a remembering of an idea whose context or source you no longer remember?

Sacks has put a name to a phenomenon that has bothered me in recent months.  As I do my own blog and write guest posts on other blogs, I am constantly on the lookout for inspiration and use Google Alerts to find new sources on topics (memoir vs. fiction, letting go, mindfulness, risk-taking) that are of particular interest to me.  

Often, my new blog builds on an idea I’ve used before.  But often, it builds on someone else’s idea, much as today’s blog does.  I make a concerted effort to give credit to the author of the idea, but I do wonder how often I use an “idea” without realizing that it really isn’t mine, that I have “forgotten” where the idea came from.

This is, I think, a distinction that writers of all stripes (not just memoirists) should be sensitive to.  Aren’t we all “cryptomnesiacs”?!

                                                    
Mary Gottschalk 

www.Sailingdownthemoonbeam.com

http://twitter.com/marycgottschalk

http://www.facebook.com/MaryGottschalkWriter

http://amzn.to/J7iiI4  [Kindle URL]