Friday, November 8, 2013

Change



by PA Davis







Change is a threshold to another world that we cross. Sometimes it creeps up, bursting into your routine with the abandon of a child’s prank. For good or bad, it’s on your doorstep and you can’t avoid its playful allure. Sometimes planned, self motivated, even controlled, change is a choice which is upon you.
And then there is change that seems to never come, the hope of a chance to change what you are and what you might become, a dream. This change looms, its mast pokes above the horizon but the hull of the ship stays just beyond your sight.
It invites you to see more, and then it strangles you and turns your edges sharp with anticipation. You wait, it seems to never come and it rapes your patience with its lack of forbearance.
Make it happen, you say. You do what you can, but you lack control of the final outcome, you lack the raw components, waiting for change, waiting for grass to grow. You struggle with something unseen, like in a dream; you’re running, confused and out of breath, and you’re searching for something, something just beyond your fingertips. You can smell it. You can taste its fragrance, and yet, you cannot see or feel it, or find it within your grasp.
Waiting for change is painful. Not like a puncture or a scrape. Something deep inside wrenches and torments you into a misery. But like a ballerina, change is a siren of the dance, a temptress enticing, luring you to search within the shadows of the wings, to come closer. She lives beyond a door and she beckons with her exotic charms, calling you to enter. And yet, the doors opening only lets out a tantalizing glimmer of light, of hope anticipated.
Some prefer the day-to-day routine, the continuity of sameness. For those there is comfort in knowing, controlling what comes next. Change to them is a serpent, unexpected, slithering beneath the waves. They wake each morning assured of what they are to do. No guessing at which corner to turn or fork to take. No frantic searching for a sign that provides a suggestion of fulfilled desire, and then fading like a mirage when approached.
For others, change is the fuel that fires the engine.
She asks me what is going to happen. When?
I search for answers, I connect the dots, but the image is incomplete. There are no more dots until the next page.
The siren’s dance is not yet complete.


PA Davis
Twitter:   @padavis249
Blog:        http://padaarch.wordpress.com/

I also did a Glossi magazine on this short – here’s the link:

Wednesday, November 6, 2013

Once You Were a Mermaid

                    

by Rachael Z. Ikins 

Now it is your hand in mine,
fingers a clutch of frail feathers.
Not much left but spines.
Autumn apples, asters' powder sweetens
evening's breeze. The last crickets, those that survive
frost in crevices chant their monotone ever
reminiscent of sleigh bells. Skies open,
a coverlet turned inside-out, satin, silk, 
coral, a gray soft as ashes.
Then, heavy. Then the rains.

Rains lift you, carry you to the sand, leave you on ocean's porch.
You,  little more than a sodden bird within reach
of wavelets' chuckle. Private conversations water
holds among all its selves. I hear it in your paintings: waterfalls,
pool, ocean, a glacial lake. Moon slices sky silks,
shivers a path upon the water. I release your fingers.
Your luminous eyes glow in the dark.

" Go on..." I whisper, urging you while water smacks,
its lips, silvers your old, old bones. My palms, clams.

I scrub my eyes, salt-itches, sea-scent confuses me,
your feet, frail fins, your legs to tail. At the moment 
when the water and fear have risen high in both
our hearts, you realize, once,
so long ago you can't remember, 
you were a mermaid, and I, your water baby.
Water closes over your head. Your gills blossom.
Phosphorescence trails your passage.
Everyone knows you can 't cling to a mermaid,
just for a moment, then you feel her slip into the sea. 

"Rachael Ikin's debut novel, " The Complete Tales from the Edge of the Woods" (Icarus Aloft) 2013 has been nominated for a CNY Book Award through the Downtown Writers Center division of the YMCA programs for the arts in Syracuse, NY. Her novel is also in the running on Goodreads in the category, " Fantasy." Rachael's poetry & artwork juried into The Tech Garden December exhibit, " Trees" Awards at reception. Nov 21. Her new chapbook God Considered the Horizon releases this month from Finishing Line Press. She is going with FLP to Ireland to a Writers Abroad conference in Lismore Castle, Ireland where she will not only study but also read from her collected works. Like to know more about Rachael and her work/ or perhaps have a signed copy of one of her books? Go to www.rachaelikins.com or find her on FaceBook."

"Ask the Girl Arts....because girls can do anything!"

Monday, November 4, 2013

How Becoming Human Saved an Alien

by Suellen Zima

When author Matt Haig was personally “living in a state of intense but irrational fear,” he conceived of a story in the year 2000 about an alien who voluntarily becomes a human and lives as happily ever after as an alien turned human can.   It makes for a thoughtful, sometimes humorous book entitled, “The Humans” finally published in 2013 after the author became famous through four other books.  It caught my eye because I am in the process of creating a friendship between an alien and a human in the new book I’m writing.
I loved the way the story evolved through twists and turns and never quite predictable events.  Haig presented an alien’s down to earth view of humans and their foibles.   He develops an appreciation of human relationships through a series of strange events.  Multi-dimensional humans and the complications of the human condition intrigue the main character beyond his ability to remain an alien.
He leaves a list of “Advice for a Human” for a mixed-up teen that could have been his son.  He summarizes succinctly, but deeply, sage advice worth every human’s consideration.  Number 6 is “Be Curious.  Question everything.  A present fact is just a future fiction.”  In number 9, he wisely points out, “Sometimes, to be yourself you will have to forget yourself and become something else.  Your character is not a fixed thing.  You will sometimes have to move to keep up with it.”
With his alien’s wisdom, he says, “You shouldn’t have been born.  Your existence is as close to impossible as can be.  To dismiss the impossible is to dismiss yourself.”  And, from his personal experience, he says “One life-form’s gold is another life-form’s tin can.”  His knowledge of the future says, “New technology, on Earth, just means something you will laugh at in five years.  Value the stuff you won’t laugh at in five years.  Like love.  Or a good poem.  Or a song.  Or the sky.”
With pithy wit, he points out, “If there is a sunset, stop and look at it.  Knowledge is finite.  Wonder is infinite.”  With the certainty of knowing humans as only an alien can, he points out, “You are not the most intelligent creature in the universe.  You are not even the most intelligent creature on your planet.  The tonal language in the song of the humpback whale displays more complexity than the entire works of Shakespeare.  It is not a competition.  Well, it is.  But don’t worry about it.”
With the power of seeing the future, he predicts, “One day humans will live on Mars.  But nothing there will be more exciting than a single overcast morning on Earth.”  And, “In a thousand years, if humans survive that long, everything you know will have been disproved.  And replaced by even bigger myths.”
As an author, I love the paradox he explains in number 46 — “The things you don’t need to live — books, art, cinema, wine, and so on — are the things you need to live.”  His perceptive advice in number 66 says “As a black hole forms, it creates an immense gamma-ray burst, blinding whole galaxies with light and destroying millions of worlds.  You could disappear at any second.  This one.  Or this one.  Or this one.  Make sure, as often as possible, you are doing something you’d be happy to die doing.”
If I had to pick only one, I particularly like, “Men are not from Mars.  Women are not from Venus.  Do not fall for categories.  Everyone is everything.  Every ingredient inside a star is inside you, and every personality that ever existed competes in the theater of your mind for the main role.”
Matt Haig makes you glad you are human.

Suellen Zima

Follow the Senior Hummingbird

…as she wanders, wonders, and writes

Saturday, November 2, 2013

Why I Write Romance Novels




By Donna Fasano
I can’t tell you how many times over the course of my 20-plus year career as a published romance author I have been asked, “When are you going to write a real book? You know, a [insert genre of choice: mystery, historical, thriller, etc].” So I’d like to take this opportunity to tell readers why I write romance novels.
I suffered a lot of tragedy while I was growing up, the worst of which was the death of my mother just as I was entering my teens. I felt as though I went from 13 to 35 overnight, and when my friends were off having fun, I was cooking and cleaning and helping my little brother with his homework. Romance novels were an escape for me. The Wolf and the Dove, The Far Pavilions, Whitney My Love, Rebecca, The Thorne Birds…if the book featured one man and one woman falling in love, I read it! Romance novels offered me hope for a happy future filled with love (hokey, maybe, but I was a naïve teen). As a young wife and mother, I discovered Silhouette Romance Novels. These books were short and sweet and uplifting. Each and every story put a smile on my face, and the happily-ever-after endings always boosted my spirits. Are romance novels real? No. Does every real-life relationship end in HEA? Of course not. But if I wanted doom and gloom, I’d watch the evening news.
As an author, I can’t think of a better way to use my talent than to bring pure enjoyment to my readers. I tell people that I write cotton candy for the mind. Think about that. When you were a kid and you put a small cloud of that wispy confection on your tongue, what did you do? You smiled. And maybe you even laughed. That’s the reaction I’m going for with my short, upbeat stories. That’s why I write romance novels. So if you’re looking to get lost for a few hours in a fun, cheery story, I hope you’ll try one of my books.
~ ~ ~
Donna is a bestselling, award-winning author of over 30 novels that have sold over 3.6 million copies worldwide. You can find her on the web at www.DonnaFasano.com, or on Facebook  or Twitter.
 Her books are available at Amazon, Barnes & Noble, Smashwords, Kobo, Sony, and Apple iBooks.
~  ~  ~

Exciting news! Donna has a new 3-book series available. The Single Daddy Club is about 3 buddies who have been friends since college and are now single and raising children. They vow to support one another…any way they can. (Of course, love will find each and every single dad before this series ends. They don't call it happily-ever-after for nuthin'!) Look for The Single Daddy Club in Amazon's Kindle Store, in the Nook Book Store, at Kobo Books, and on iTunes.

If you prefer to read your books in paperback, Donna has a brand new one available this month: Her Fake Romance. The female protagonist in this book is a caterer, and there are several delicious recipes included as bonus material.

If you prefer audio books, Donna has a brand new offering – her very first audio edition – The Merry-Go-Round, available at Audible.com.

Thursday, October 31, 2013

How does a Humanist solve the problem of Bullying?



 by Jennifer Hancock


No parent wants to see their child suffer at the hands of a bully. As much as we would like to shield them from horrible people, as parents, we have to be realistic. Our job is to prepare our kids for life in the real world and that means helping them learn how to cope with mean people.

The problem is that most parents don’t know how to actually help their kids aside from general platitudes like – stand up for yourself or ignore them.

The question is, how does a Humanist parent approach the subject of bullying? The answer? With science and compassion of course.

It turns out that science has already figured out how to eliminate unwanted behavior. The field of behavioral psychology has studied this problem extensively. Using operant conditioning techniques, which are so effective, they are standard for every animal trainer in the country; you can train a bully or other obnoxious person to stop and leave you alone.

While these techniques are fairly easy to teach, they are very hard to implement, which is why most anti-bullying programs don’t teach them. But that doesn’t mean we shouldn’t try.

What currently passes for anti-bullying education is good but incomplete. Most programs only teach the beginning part of the behavioral extinction process. They don’t teach kids or adults how to actually complete the process.  This is why most attempts to eliminate bullying fail, despite everyone’s good intentions.

But failure with good intentions isn’t good enough anymore. Kids are committing suicide and killing their classmates to get away from the torment. We need to do better, which is why we need to stop shying away from teaching them what actually works.

The good news is that what actually works is scientifically sound, ethically compassionate and incredibly empowering for the victim.  

Bullying is all about power. Bullies gain power over their victims through aggression and coercion. When victims learn how to train a bully to stop, they regain the control they had lost and it’s amazing to see a child blossom when they learn these skills.

When it comes to bullies, we can no longer afford to let kids figure how to deal with them on their own. That’s a lot like throwing a kid into a swimming pool and hoping they will figure out how to swim. Just as it is saner, safer and a whole lot less traumatic to teach kids how to swim, it is also saner, safer and a whole lot less traumatic to teach kids how to get bullies to leave them alone.

Learn what it takes to get a bully to stop. Teach it to a child and share this information with others. Let’s start a knowledge revolution that will not only make a difference in the lives of children, but in the society in which we live.

Just image an entire generation of kids who have learned these skills. Just imagine an entire generation that didn’t have to deal with bullying? Just imagine what society will be like in 20 years if no child learns how to bully because their peers teach them not to? That’s a society I’d like to live in. It won’t be easy, but it is worth doing.




Tuesday, October 29, 2013

A Hungry Kitty

by Sandy Hartman 




Look outside
A yellow cat
The neighbors up and left him flat
He's at my door more and more
Where do they come from
Those yellow cats?
Perhaps from weeds
Perchance from trees
Or yellow flowers that make us sneeze

Oh well, ignore him
We just won’t look
He will find another nook
He will have to go

Oh!  Oh!
He won't take "No"
He simply will not go
I’m asking you
What should we do?
Should we stop and think this through?

Oh, no!
Stop indeed!
Look!  Just look!
Is that a skinny rib I see?
Or maybe two or maybe three
Why he’s hungry
Hungry as can be
Yes! without a doubt
Those skinny ribs are poking out
Well, it is quite true
And it simply will not due

Let's feed him peas
And chocolate treats
Or cans of beans and pickled beets
“Oh no!” you say
"That’s not his way?”
OK!
What is better yet?
What will do?
Hmmmmm! 
I know
Let's feed him meat and milk and fish!
Now there’s a proper kitty dish
And look!
I think I see a fishy grin
Right behind those whiskers clean and prim

So, here’s the facts
We will feed him kitty snacks
And tasty bits that please a cat
Soon we'll see that skinny kitty
Becoming plump and nicely fat

But now of course you know
He's ours
Ours to care for
Ours to own
Ours to love and ours to hold

Well now, I hope that suits you!
Because it suits me fine
And I must say. . .
It suits me sweetly so!




c 10/14/09
Sandy Hartman

Kids and kittys.  What enticing subjects to build a poem on both for beginning writers, experienced writers, and those souls who just want to take time out for a bit of fun.  Yet I always try to keep in mind the many other creatures of this Earth who also deserve the attention of the poet's pen.  Diversion for the harried writer might be an ongoing collection of animal haiku. . .for the precise writer, sonnets from the wild. . .lessons from Aesop in rhyme, poetic notes from observation, and the list is endless.  All are a good antidote for the current popular genre of poetry based on self discovery and involvement.  I submit that the selves we are truly cannot survive without our deep understanding and regard for the others of our creation.
If you wish to hear the audio reading and the accompanying photos for A Hungry Kitty, as well as other poems, please go to my site at
See you there. . .
Sandy is a member of the Jacksonville branch of the National League of American Pen Women

Sunday, October 27, 2013

Reviews and Style

by Alex Lukeman







This blog was stimulated by a reader review on one of my books. A three star review, which is like damning with faint praise. Most of the reviews on this book are five star, with a few fours thrown in. People like it.

Reader reviews are an interesting part of being a writer. You can learn a lot from them. You also have to remember that it's impossible to make everyone happy, no matter what you do. This particular reader dinged me because she didn't like and/or understand my style of writing.

Style is a subjective thing. You like Picasso or you don't. You like ZZ Top or you don't (I like both). The reader seemed to think I didn't understand how to use commas (I do) and said most of my sentences were 5 or 6 words long (they aren't) and that Robert Ludlum could write twice as many pages to tell the same story (he could). Ludlum is also dead.

My style is consciously direct, clipped, fast moving. I could write sentences that went on and on if I wanted to, with plenty of commas. My English background is unusual. I know what I'm doing, even though I do make mistakes. I break rules on purpose. I don't follow the Chicago Manual of Style. My style would make most editors completely crazy, but there's nothing prohibited about it.

Think of  writers who break the rules: Hemingway, Thomas Wolfe, Steinbeck, Lee Child. Raymond Chandler comes to mind. William Shakespeare. In fact, pretty much every good writer you ever heard of.

This reader was disturbed because the sentences were too short for her liking. She probably wouldn't like Lee Child either. He sometimes writes sentences of two or three words. What do you think I should take away from a review like this? Should I be worried that my sentences are too short? Should I feel upset and inadequate, a failure when held up against Robert Ludlum?

Right, mate, no way.

Some reviewers love to make unflattering comparisons to other authors. I have reviews that compare me favorably to James Rollins. I have a review that says Rollins is a much better writer. I don't copy Rollins or anyone else. My style is mine and not anyone else's. I don't think I'm as good or better or worse than James Rollins and other successful writers. I try and learn from them. I am what I am, as Popeye said.


Finally, there are negative reviews from readers who are sure they know a lot more than you do about any given subject and that you are a dumb screw up who has his head you-know-where. For example, I had a review that took me to task for not knowing what I was talking about, because I had my heroes carrying around 35-40 pounds in the Himalayas at 17,000 feet. The reviewer was sure it couldn't be done. As a matter of fact, I have trekked in the Himalayas at 17,000 feet with a 35 pound pack, and I wasn't in the kind of shape my heroes are (super!). I was writing from experience. Then the reviewer became personally insulting.

Part of me would dearly love to review him, but that is not a good idea. The only thing to do with a negative review is learn from it if it has any truth and see it as a back-handed compliment if it does not. Hey, at least you got someone's attention!

I had one reviewer give me 2 stars without reading the book. That's a lousy review. She said she read the description, though, and didn't like it. I mean, SHE DIDN'T READ THE BOOK! All of which means you need to take reviews with several pounds of salt. Believe in yourself: that's what counts.

Author of the PROJECT Action/Adventure series
http://www.alexlukeman.com