Showing posts with label readers. Show all posts
Showing posts with label readers. Show all posts

Friday, May 31, 2013

Trying to break into a B&N store

Most of our readers and contributors are Indie writers like myself. We have a few lucky mainstream published authors in our midst that I envied from the start of my writing endeavors. I decided to self-publish with Createspace after a 18 months of inertia on my agent's side and impatient waiting for things to happen on mine. Promoting my work and creating a platform that every author needs was the next step to getting noticed and making sales. This website is part of it.
Like me, you probably eagerly take every promotional opportunity with interviews and guest blogs or radio/ podcast interviews and tweet the heck out of your PC and mobile device. I follow every blog giving advice on writing, editing and selling my product. I also carry business cards and books in my car and steer a conversation my book's way when appropriate. That plus getting book reviews and writing press releases. Not to forget the networking. Still- it's a long, arduous road to success --whichever way you define it.
After a year of trickling book sales, I learned that there are on demand publishers that can make it into the Ingram's distribution list and via that to the holy grail of an established book store that actually has my printed copy on its shelves. Some authors only concentrate on eBooks, but a physical book in my hands, for me, was my humble  yardstick of success. Half a year, some added chapters and various editing hurdles and publishing obstacles later, a very a handsome man looks at the potential buyer from his shiny, sexy cover of the new bright blue version of Next Time Lucky. B&N here we come!
So we are on Ingram's list, Mr. Right and I. When and how does a store decide on which book to order, however? You must wait for a sales rep to pitch your book to the stores and a purchasing manager to choose it from thousands of listings. Good luck with that as a newcomer. Cold sales were never my forte, yet I plucked up my courage and walked into a B&N store to talk to the acquisition manager introducing myself as a local author...You know the spiel! (That's not what they're called here, btw: They are  "Community Relations Managers". (n.b.!)
A simple email would have sufficed, I was told.
Following up on my email that remained unanswered for weeks also gets my knickers in a twist, yet I managed to do it.
The reply I got triggered off this piece:
"I have researched your book; while the ISBN you provided does list the publication date as 1/13, I noticed that this is a reprint of a 2010 publication, with slight adjustments...Between this book being a reprint and lack of sales since it's (sic!) publication, I am going to pass on the opportunity to host an event with you and your book Next Time Lucky." ( no sales on B&N that is!-- Duh!)
Would you have let it sit at that? I called her directly and was told that "B&N 's Small Press Division has the policy NOT to take books on board that are published by small presses. And since it hasn't sold yet, they will not consider the signing." She admitted it was a Catch 22. 
How does a book get on a shelf if nobody has bought it before? How do buyers grab it in a store if it's not on a shelf? 
Fellow authors on writers sites assured me that mainstream shops like B&N are shooting themselves in the foot by underestimating or even ignoring Indie authors. From a best-selling Pen Woman I learned that readers come to her book signings and still buy online...Online sales look like the way of the future.
An article I recently saw: "Traditional or self-publishing?" is nothing but one big rhetorical discussion for me. Blog posts claiming that best-selling authors go the self-publishing route now in order to retain their rights and earn more money is one thing. To get the ball rolling as an unknown newbie is quite another. Give me a traditional publisher anytime.
            Your experience, please! 
                                                              

Pls. check out my hub: www.SiggyBuckley.blogspot.com


Saturday, January 28, 2012

The Self Promotion Treadmill (1)

One of the downsides of being an Indie writer is the need for self promotion. I've spent a lot of time over the last year trying to figure out how to promote White Jade and The Lance. I've read a lot of blogs, articles and books about guerrilla marketing and self promotion. Joe Konrath has probably written the Bible of Indie promotion. If you have not already done so, look him up. His blog is at http://www.jakonrath.blogspot.com. Joe's basic philosophy is brutal in its simplicity: promotion takes time and a lot of work.
The problem isn't so much finding out what to do, it's balancing that with writing. For me, that is the real work. It's where the juice is. Marketing is a job. Writing is hard work, but it's not a job. It's life.
Nelson DeMille's approach is that writing more books is a better way to spend your time than self promotion. Konrath would agree that you need as many books out there as you can produce, a body of work over time.
You're probably in trouble if you are writing just for the money, both from a creative standpoint and for the future of your early retirement. But still...money is good. Reward is good. Millions of readers would be good. That is going to take self promotion.
We are in the first stages of a massive revolution in publishing and marketing and it's not clear yet what really works and what doesn't. It also depends on what you are trying to accomplish. Here are a few things that keep popping up from various experts on marketing your books.

WARNING: Cliché Alert
Take this list with a grain of salt.
       1.      ads don't work, don't waste your money
2.      press releases don't work, don't waste your money
3.      you need a great cover
4.      you need to write a lot of books
5.      a series is good
6.      you need to stick to your genre
7.      you need to keep control of your work
8.      you need to think in terms of the long run
9.      you need to think internationally
10.  you need friends
11.  you need to support other Indie writers
12.  you need to do all those things Amazon suggests, like the Author Central page
13.  you need the patience of Job
By friends, I don't mean Auntie May, your buddies Joe and Irene and your Mom. I mean the people you support and meet online, on Facebook, on the Amazon forums, in specialized groups on Goodreads and LinkedIn. I'm not so sure about Twitter, but maybe. The groups you choose to join are an invaluable resource. It doesn't mean those folks will buy your books. It does mean you can joke, laugh, tap resources, learn, celebrate success, get the word out about your writing, get yourself out of the writer's isolation and in general participate in the human race. That is good, trust me.
It boils down to this: link up with others and support them. Write as much as you can. Trust in the value of what you write. Have fun doing it. Otherwise, why bother? Remember Field of Dreams? If you build it, they will come...
Twitter: @alexlukeman  Facebook: http://www.facebook.com/alexlukeman

Monday, January 2, 2012

The 3 Reasons Why You Need To Quit Worrying About Readers Who Won't Spend A Dollar On Your Book

I saw this tweet: #writechat RT @grumblecore People spend $3 for coffee that takes moments to pour but balk at spending $1 on ebook that took months to write.
— Josh Evans (@JoshKEvans) December 27, 2011

This tweet is a common refrain among authors, in particular independent authors.
And it's one we need to stop making because it just reinforces the fact that we don't understand markets and economics.
And more importantly it shows you are focusing on the wrong people.
Starbucks Is Not About The Coffee
The first thing to understand about the price of a Starbucks coffee drink is that Starbucks is not about the coffee. Starbucks managed to change coffee from something that was a pure commodity where the goal for anyone who sold it was to sell it as cheap as you could. And the taste reflected that.
Starbucks pulled a Captain Kirk from Star Trek in the KobayashiMaru test - they changed the conditions of the game.
Instead of just pouring you a mere cup of coffee - they served dozens of varieties of coffee - served by baristas who were trained on how to expertly make these drinks.
Additionally they focused on the experience - nice comfy chairs, nice music and turned it into a destination.
Where you are not paying just for coffee - but rather the experience.
And people do pay for the coffee drink (really people don't buy coffee at Starbucks, mostly they buy sugar-water laced with a hint of coffee) - not just because it tastes good but because they like to be reminded of the experience.
Other factors also play into this - the need to look/feel hip (e.g. you're friends are drinking Starbucks so you want to too), the need to splurge a little luxury on yourself (as luxuries go Starbucks is affordable) and of course sugar addiction (chemically speaking sugar affects the brain similar as an opiate which is why it's so damn hard to give up).
And to their credit Starbucks did a very good job at managing the experience - almost too good. For example they forced McDonald's to update their restaurants to be more comfortable (we have a new McDonald's near my house and it has padded leather booths and even leather chairs). They even forced them to change their coffee - it's actually pretty good now (I prefer McDonald's plain coffee over Starbucks). You can despise McDonald's if you want - but you cannot deny their success at knowing what millions of people want to buy.
Though one twist on the McDonald's vs Starbucks - McDonald's is setup to be low-cost provider and to make money on things beyond coffee. So now they are gaining upper-hand on Starbucks in particular since they can leverage their ability to sell other things to cover costs for people who want to spend all day there.
On the other hand Starbucks has had to make their stores less inviting (notice how many hard-back wood chairs now) to discourage people from staying much longer than just having their cup of coffee.
Tip #1- Think about how you can help create experiences and not just books - example a UStream chat
Focus On Creating Super Fans
There are three types of people who will read your books (or buy your music or your painting or movie):
  • Super-Fans
  • Fans
  • Readers
Super-Fans
Super-fans are the audience you want to grow the most. They are the ones who will do the best job of promoting your books (for free!) and will spend the most.
What is a super-fan. A super-fan is someone who will spend thousands of dollars to come here you speak across the country (or as I did to fly across country to see Guns n' Roses in their first US concert in years because they are my all time favorite band and I never got to see them live as a kid and absolutely didn't want to risk the tour collapsing before they came to Dallas).
They are the ones who will pay handsomely for a Cemetery Dance edition of your book.
These are the people you will reward by letting them get free copies or cheap copies. Because they are the smallest portion of the three types. And they will help grow the next two groups.
These are the ones who will religiously check your website, Twitter, etc to look for updates on new stuff.
Fans
Fans are people who read your books when they come out. If the price is right (e.g. less than a Starbucks coffee but doesn't have to a dollar) they might even buy as soon as they get prompted for it.
While they will not buy a Cemetery Dance version - they will understand why those who do - do. They might even wish to buy something like it if they have a particularly favorite book of yours (e.g. maybe a poster of the cover).
These are the most important ones to get on your mailing list because while they want to know when you have new stuff - they are not super-fans so won't be pro-active in searching you out.
Readers
This is the largest group. It's people who read books but generally only after there has been some indication the book is any good (e.g. the fans have bought up copies and posted reviews).
This is the most price sensitive crowd - but it doesn't mean you should pander to them. The economics has to add up.
For example at $3.99 you only need to sell 5,000 copies to earn the same as you would if 40,000 people bought at 99-cents.
This is the group you're really testing your pricing strategy out on. Don't worry about those who bitch and complain about all books need to be free or a buck.
Instead do empirical testing - as you sell 500 books (or a 1000), increase the price of the book a dollar until the sales start to drop off. Because in reality nobody knows how much someone might pay for your book. That's why you need to test.
This is a strategy that ebooks enables that cannot be done in physical books.
Tip #2 - Focus your engagement on people who give you a review or real interest so that you can grow them into fans and super-fans
Don't Do This For The Money   to read more....
Mark Wilcox